I want to help, too." And they're like, "Okay, great. So the first takes of any animated thing, be it Big Mouth or this new Chip n' Dale project or Spider-Verse, the first takes are always like, "Hi, this is Peter Porker. it's not that they're rusty, it's more like they're just used to speaking in an inside voice. What's interesting is when you first get into the voiceover booth-normally I'm coming off the subway and I haven't been talking and yelling, so everyone comes into voiceover. So you can really play around even more so than you can on a set. Blammo." And that's acting, what I just did. You can be like, "Actually let me do five ‘blammos.’" And there's not cameras rolling and a hundred grips and lighting guys, so you can just go, "Let me do five blammos.” “Blammo! Blammo! Blammo! Blammo. Also, it's an easier way to do like five takes in a row. And other than breathing on the mic too harshly, you're able to kind of act in that space. You're trying as much as possible to recreate the loss of breath or the fact that you're struggling to get over something. If you watch someone do animated voiceover, you're throwing the action into it. It's something about the acting, it's performative fully. It seems like you gravitate towards voiceover work a lot more often than some of your peers. This also coincides with a new season of Big Mouth. They just want the Cary Grant shoot." In my first records, I was like, "What are you looking for?" And they were like, "Talk the way you would." But it took until someone offered me a Spider-Man pig character before I could say like, "Oh, they just want me to be me." I feel like Cary Grant got a lot of those offers where he's like, "I see. The thing that was fun about doing this character was that I spoke in my voice the way I talk, with slight volume raises. Well, how does it feel to be reprising the character again, now, for this campaign that you're doing? And if you think I'm not just making that movie up on my feet, you're absolutely wrong. As opposed to being like the team without much money, they’re the team that sees ghosts, so that's why they're last in the league. And I always thought that that would be a fun like Bad News Bears type movie, where either one of the players sees ghosts or maybe it's kind of like a down and out of team because they all see ghosts and that's their thing. And it was about real life Sixth Sense kids. I do have an idea-I used to watch this show Ghost Kids: Children of the Paranormal. I'm not good with horror devices like twists and things like that, but I could write a comedy about someone who's just haunted and scary. I feel like there's a horror comedy in your head begging to come out at some point. That's the only time I've really had a creeping sense of ghouls and ghosts out of nowhere and then have it be proven correct. I'm going to walk away from here with my dog." And then I found out it was called the Murder House of Los Feliz and it had a terrible history. I was just kind of like, "Oh, what's this house." And then, slowly, I was like, "I don't like this place. Although I walked by a house that was haunted in Los Angeles and I didn't know it was haunted. I think when I first walked past it, I knew what it was. It's a vacuum cleaner store on 14th between 5th and 6th and it used to be a boarding house.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |